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Faculty Mentors

Tina Yarborough

Abstract

The emergence of the so-called "primitive" masking its way into the art world of the twentieth century brought with it an alluring mystique which intrigued numerous artists and consequently provoked its appropriation. Specifically, the tribal can be seen in the works of Pablo Picasso as he imbues the geometric facades of Afro- Iberian masks, with shamanistic powers. Upon comparison, the primal found in Picasso's work adds an interesting twist to the work of the female Dadaist Hannah Hoch, who puzzles her audience both aesthetically and intellectually through her use of dense iconography.

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