Has Access to Music Streaming Services Evolved Client Preferred Music?

Presentation Author(s) Information

Megan AtchesonFollow

Faculty Mentor(s) Name(s)

Dr. Laurie Peebles

Abstract

In this research proposal I discuss the potential effects of streaming services on client preferred music in the music therapy field. As music therapy students we are taught early on that the best way to start finding client preferred music is to play music from the clients late teens and twenties. This “formula” being taught was logically correct before the introduction of music streaming platforms, but may no longer hold true. Preceding music streaming platforms it was much more likely that people would be listening to a smaller range of music because it was less accessible, however, this is no longer the truth for most clients. Clients today have access to every kind of music they could possibly want through Spotify, Apple Music, Pandora, ect., so does the formula still hold true or should music therapists be finding new ways to assess client preferred music? I plan to begin assessing this question using survey based research in this proposal.

Start Date

27-3-2024 9:00 AM

End Date

27-3-2024 9:50 AM

Location

Magnolia Ballroom

Research in Music Poster.pdf (1117 kB)
Poster for the poster presentation

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Mar 27th, 9:00 AM Mar 27th, 9:50 AM

Has Access to Music Streaming Services Evolved Client Preferred Music?

Magnolia Ballroom

In this research proposal I discuss the potential effects of streaming services on client preferred music in the music therapy field. As music therapy students we are taught early on that the best way to start finding client preferred music is to play music from the clients late teens and twenties. This “formula” being taught was logically correct before the introduction of music streaming platforms, but may no longer hold true. Preceding music streaming platforms it was much more likely that people would be listening to a smaller range of music because it was less accessible, however, this is no longer the truth for most clients. Clients today have access to every kind of music they could possibly want through Spotify, Apple Music, Pandora, ect., so does the formula still hold true or should music therapists be finding new ways to assess client preferred music? I plan to begin assessing this question using survey based research in this proposal.