Document Type
Creative Work
Publication Date
2025
Abstract
This article focuses on “yéyé” music, in particular the music of Françoise Hardy. I examine the feminist themes in the songs found on her first album, Tous les garçons et les filles. The majority of critics view her first album as immature, but I suggest that it shows a subtle but powerful feminism. For me, Françoise Hardy’s first album shows depth and advanced perception of social dynamics. In particular, Hardy demonstrated an awareness of the experiences of young women in her time. From her first album, Hardy presented herself as independent and intelligent. I cite critics from Hardy’s time and from recent years, as well as her lyrics and autobiography.
Recommended Citation
Aexel, Charlotte, "“Et les filles”: le féminisme subtil de Françoise Hardy" (2025). World Languages and Cultures Senior Capstones. 33.
https://kb.gcsu.edu/wlc_capstone/33
Included in
European Languages and Societies Commons, Modern Languages Commons, Music Commons, Women's Studies Commons
