Event Title

Redefining Black Hawk: Iconic Display as Means of Manipulation and Erasure of Native American Culture

Presenter Information

Mary Pittard

Faculty Mentor

Katie Simon

Keywords

Katie Simon

Abstract

In this paper, I examine how the historical figure and Sauk warrior, Black Hawk, is taken captive and stripped of his “brave” status as leader, and is redefined by American authorities as an icon of his culture. Black Hawk must write of his experience and identity during Indian Removal under the authorship of a manipulated version of himself. From this, we are given Life of Black Hawk, Dictated By Himself. Combining research with my own analytical reading of the text, I assert that while Life serves as Black Hawk’s first-hand account of Indian Removal as well as his own rebellion of this new identity, the Sauk leader remains under the influence of his distorted and Americanized sense of self. I seek to show how the chief’s authorial presence has been both hidden and distorted through the “othering” that results from creating Black Hawk into an icon of national display.

Session Name:

Theorizing The Life of Black Hawk

Start Date

4-4-2014 2:30 PM

End Date

4-4-2014 3:30 PM

Location

HSB 211

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Apr 4th, 2:30 PM Apr 4th, 3:30 PM

Redefining Black Hawk: Iconic Display as Means of Manipulation and Erasure of Native American Culture

HSB 211

In this paper, I examine how the historical figure and Sauk warrior, Black Hawk, is taken captive and stripped of his “brave” status as leader, and is redefined by American authorities as an icon of his culture. Black Hawk must write of his experience and identity during Indian Removal under the authorship of a manipulated version of himself. From this, we are given Life of Black Hawk, Dictated By Himself. Combining research with my own analytical reading of the text, I assert that while Life serves as Black Hawk’s first-hand account of Indian Removal as well as his own rebellion of this new identity, the Sauk leader remains under the influence of his distorted and Americanized sense of self. I seek to show how the chief’s authorial presence has been both hidden and distorted through the “othering” that results from creating Black Hawk into an icon of national display.