Document Type
Report
Project Title
Driving While Black
Principal Investigator
Katie Simon
Publication Date
2025
College or Department
Department of English
Funder
Academic Affairs
Award Date Range
2024-2025
Award Amount
3150.00
Abstract
This project investigates social, cultural, and historical contexts for Flannery O’Connor’s 1953 short story “A Good Man is Hard to Find,” and situates this work as a commentary on midcentury racialized codes in the South, particularly pertaining to traveling while black. The title of this short story comes from the blues tune “A Good Man is Hard to Find,” written in 1917 by the African American songwriter and actor Eddie Green. Green’s song became a well-known standard, widely recorded and performed by both men and women, with many performers improvising lyrics that alter or even subvert the original accommodationist content of the song. O’Connor’s version of the tune offers a series of reversals and subversions, playing with the theme of who is “good,” and querying the social conditions that might provide context for doing or being “good.” While O’Connor’s work is often read as religious allegory, this project opens up new approaches to ethical inquiry in her work, arguing that much of her fiction invites readers to consider not simply their religious faith, but also the wider regional, racial, gendered, and political contexts that affect beliefs and codes of conduct. In this story in particular, white characters are situated in violent scenes that would have been familiar as a kind of everyday terror for traveling black musicians performing on the blues circuit.
Recommended Citation
Simon, Katie. "Driving While Black: Mobility, Travel, and Violence in Flannery O'Connor's 'A Good Man Is Hard To Find.'" A Research Report.